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They need to add some monero tools to the tails iso. The translated article from Quotenqueen:. Each service class is implemented by its specific blueprint. But we received no email. Are you in desperate need of backlinks? You better believe it, ScrapeBox has had an amazing new versions since it was originally released in through to ScrapeBox v2. Further research and verification are left to the reader.

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This descriptor cannot describe multiple glyphs corresponding to a single character, or ligatures of multiple characters. Thus, this descriptor can only be used for scripts that do not have contextual forms or mandatory ligatures. It is nevertheless useful in those situations.

Scripts that require a one-to-many or many-to-many mapping of characters to glyphs cannot at present use this descriptor to enable font synthesis although they can still use font downloading or intelligent matching. The value is a comma-separated list of exactly four numbers specifying, in order, the lower left x, lower left y, upper right x, and upper right y of the bounding box for the complete font.

The latter approach can reduce network traffic when multiple style sheets reference the same fonts. If this descriptor is given a non-default non-zero value, the 'units-per-em' descriptor must also be used. If the value is undefined, the UA may employ various heuristics such as the midpoint of the ascent and descent values. If undefined, the UA may use the center baseline.

If undefined, the UA may use an approximate value such as the ascent. Given the following list of fonts: The data may be useful for any medium that needs to use fonts on the Web by some other means than physical embedding of the font data inside the medium.

These characteristics are used to characterize fonts. They are not specific to CSS, or to style sheets. In CSS, each characteristic is described by a font descriptor. Fonts retrieved by one medium and stored in a proxy cache could be re-used by another medium, saving download time and network bandwidth, if a common system of font characteristics are used throughout. A non-exhaustive list of examples of such media includes:. This is the full name of a particular face of a font family.

It typically includes a variety of non-standardized textual qualifiers or adornments appended to the font family name. It may also include a foundry name or abbreviation, often prepended to the font family name. It is only used to refer to locally installed fonts, because the format of the adorned name can vary from platform to platform. It must be quoted. For example, the font family name of the TrueType font and the PostScript name may differ in the use of space characters, punctuation, and in the abbreviation of some words e.

For example, spaces are not allow in a PostScript name, but are common in full font names. The TrueType name table can also contain the PostScript name, which has no spaces. The name of the font definition is important because it is the link to any locally installed fonts. It is important that the name be robust, both with respect to platform and application independence.

For this reason, the name should be one that is not application- or language-specific. The ideal solution would be to have a name that uniquely identifies each collection of font data. This name does not exist in current practice for font data. Fonts with the same face name can vary over a number of descriptors. Some of these descriptors, such as different complements of glyphs in the font, may be insignificant if the needed glyphs are in the font.

Other descriptors, such as different width metrics, make fonts with the same name incompatible. It does not seem possible to define a rule that will always identify incompatibilities, but will not prevent the use of a perfectly suitable local copy of the font data with a given name.

Therefore, only the range of ISO characters will be used to qualify matches for the font face name. Since a prime goal of the font face name in the font definition is to allow a user agent to determine when there is a local copy of the specified font data, the font face name must be a name that will be in all legitimate copies of the font data. Otherwise, unnecessary Web traffic may be generated due to missed matches for the local copy.

This square is called the em square and it is the design grid on which the glyph outlines are defined. The value of this descriptor specifies how many units the EM square is divided into. If this value is not specified, it becomes impossible to know what any font metrics mean. For example, one font has lowercase glyphs of height ; another has smaller ones of height ! The central baseline is used by ideographic scripts for alignment, just as the bottom baseline is used for Latin, Greek, and Cyrillic scripts.

This table is also referred to as an encoding vector. In fact, many fonts contain several glyphs for the same character. Which of those glyphs should be used depends either on the rules of the language, or on the preference of the designer. In Arabic, for example, all letters have four or two different shapes, depending on whether the letter is used at the start of a word, in the middle, at the end, or in isolation.

It is the same character in all cases, and thus there is only one character in the source document, but when printed, it looks different each time. There are also fonts that leave it to the graphic designer to choose from among various alternative shapes provided. Unfortunately, CSS2 doesn't yet provide the means to select those alternatives. Currently, it is always the default shape that is chosen from such fonts.

Some systems treat adornments relating to condensed or expanded faces as if they were part of the family name. The list is ordered by ISO code point. Widths cannot usefully be specified when more than one glyph maps to the same character or when there are mandatory ligatures. There may be two or more designed widths. For example, the main vertical stems of Roman characters will differ from the thin stems on serifed "M" and "N", plus there may be different widths for uppercase and lowercase characters in the same font.

Also, either by design or by error, all stems may have slightly different widths. This descriptor is not necessarily useful for fonts that do not contain any glyphs from these scripts. Flat-topped letters are used, ignoring any optical correction zone. This is usually used as a ratio of lowercase to uppercase heights as a means to compare font families. This descriptor is not useful for fonts that do not contain any glyphs from these scripts. Since the heights of lowercase and uppercase letters are often expressed as a ratio for comparing different fonts, it may be useful to set both the lowercase and uppercase heights to the same value for unicameral scripts such as Hebrew, where for mixed Latin and Hebrew text, the Hebrew characters are typically set at a height midway between the uppercase and lowercase heights of the Latin font.

This gives the position in the em square of the lower baseline. The lower baseline is used by Latin, Greek, and Cyrillic scripts for alignment, just as the upper baseline is used for Sanscrit-derived scripts. The mathematical baseline is used by mathematical symbols for alignment, just as the lower baseline is used for Latin, Greek, and Cyrillic scripts. If a dynamically downloadable font has been generated by subsetting a parent font, the bbox should be that of the parent font.

This measurement, on the em square, is from the baseline to the lowest point reached by any glyph, excluding any accents or diacritical marks. Panose-1 is an industry standard TrueType font classification and matching technology.

The PANOSE system consists of a set of ten numbers that categorize the key attributes of a Latin typeface, a classification procedure for creating those numbers, and Mapper software that determines the closest possible font match given a set of typefaces. Since this is sparse most fonts do not cover the whole of ISO this descriptor lists blocks or ranges that do have some coverage no promise is made of complete coverage and is used to eliminate unsuitable fonts ones that will not have the required glyphs.

It does not indicate that the font definitely has the required glyphs, only that it is worth downloading and looking at the font. See [ISO] for information about useful documents. This method is extensible to future allocation of characters in Unicode, without change of syntax and without invalidating existing content. Font formats that do not include this information, explicitly or indirectly, may still use this characteristic, but the value must be supplied by the document or style sheet author.

These are not readily extensible. Because of this, classification of glyph repertoires by the range of ISO characters that may be represented with a particular font is used in this specification. This system is extensible to cover any future allocation. The top baseline is used by Sanscrit-derived scripts for alignment, just as the bottom baseline is used for Latin, Greek, and Cyrillic scripts.

This information is often tied to hinting, and may not be directly accessible in some font formats. The measurement should be for the dominant vertical stem in the font because there might be different groupings of vertical stems e.

The value is negative for fonts that slope to the right, as almost all italic fonts do. This descriptor may also be specified for oblique fonts, slanted fonts, script fonts, and in general for any font whose vertical strokes are not precisely vertical.

A non-zero value does not of itself indicate an italic font. This algorithm reduces down to the algorithm in the CSS1 specification when the author and reader style sheets do not contain any font-face rules.

Matching of descriptors to font faces must be done carefully. The descriptors are matched in a well-defined order to insure that the results of this matching process are as consistent as possible across UAs assuming that the same library of font faces and font descriptions is presented to each of them.

This algorithm may be optimized, provided that an implementation behaves as if the algorithm had been followed exactly. The above algorithm can be optimized to avoid having to revisit the CSS2 properties for each character.

The per-descriptor matching rules from 2 above are as follows:. The 'font-weight' property values are given on a numerical scale in which the value '' or 'normal' corresponds to the "normal" text face for that family. The weight name associated with that face will typically be Book, Regular, Roman, Normal or sometimes Medium.

The association of other weights within a family to the numerical weight values is intended only to preserve the ordering of weights within that family. User agents must map names to values in a way that preserves visual order; a face mapped to a value must not be lighter than faces mapped to lower values. There is no guarantee on how a user agent will map font faces within a family to weight values.

However, the following heuristics tell how the assignment is done in typical cases:. There is no guarantee that there will be a darker face for each of the 'font-weight' values; for example, some fonts may have only a normal and a bold face, others may have eight different face weights. The following two examples show typical mappings.

Assume four weights in the "Rattlesnake" family, from lightest to darkest: Regular, Medium, Bold, Heavy. Assume six weights in the "Ice Prawn" family: Note that in this instance the user agent has decided not to assign a numeric value to "Example2 ExtraBlack". The following example defines a specific font face, Alabama Italic.

A panose font description and source URI for retrieving a truetype server font are also provided. Font-weight and font-style descriptors are provided to describe the font. The declaration says that the weight will also match any request in the range to The font family is Alabama and the adorned font name is Alabama Italic.

The next example defines a family of fonts. A single URI is provided for retrieving the font data. This data file will contain multiple styles and weights of the named font. Once one of these font-face definitions has been dereferenced, the data will be in the UA cache for other faces that use the same URI.

The following example groups three physical fonts into one virtual font with extended coverage. In each case, the adorned font name is given in the src descriptor to allow locally installed versions to be preferentially used if available.

However, much has happened since it went up, including the Blogger outage. Scroll down for a report on that. More new posts will be added below this one. The essay below is the conclusion of the ninth part in a series by Takuan Seiyo.

See the list at the bottom of this post for links to the previous installments. For over 60 years, White mea-culpists have had a firm grip in all fields of cultural mind imprinting: Their main endeavor has been to enforce their compulsory e.

K and discretionary e. Nor the evils of the worldwide Islamic Inquisition which — not in the 16th century but now, in the 21st, condemns Muslim apostates to barbaric execution. Instead, aggressive White androphobes of all genders which I can no longer count are decimating the philogynous and egalitarian West.

Equality psychos are tearing down the most egalitarian society that ever existed except for initial communist experiments, before they turned bloody.

American Jews, at the apex of the greatest fortune and philosemitic tolerance their long diaspora has ever bestowed on their kind, are busy supporting all the ideologies and policies that demolish their safe harbor and build up their Muslim, Black and Third World enemies.

Leftoid masochists and the Christian meek call for returning Hawaii to the Hawaiians and capitulating before a massive Mexican reconquista of one-third of America.

The rightful Etruscan landowners are not bearing angry placards in front of the Vatican. The Japanese are not planning to relinquish Hokkaido to its original owners, the Ainu. The tall, white and fair-haired Chachapoyas of the Andean forest have, alas, no remnants left to sue the Incas for genocide in a Peruvian court of law.

However, even that great moral abyss of Western civilization — the Holocausts — stands out more in its industrialized and organizational features than it does either in the quality of its hatefulness or its relative or even absolute volumes.

In relative numbers, in just one year, , the Hutus and Tutsis in Rwanda, killed off a total of one million, in a population of 7 million. Is it more humane to go by a stroke of a blunt machete than by a whiff of Zyklon B? The Khmer Rouge murdered at least 2 million Cambodians between and Is it more humane to die by wallops from a Cambodian pickaxe handle than by a bullet from a German Mauser?

Inscription on the back in German: There is a special horror attached to the Third Reich, because those were 20 th century Europeans, Christians, and in many ways the smartest, most civilized people on Earth. But the Holocausts do not prove that Whites are worse than other people, just that they are no better.

The history of the Third Reich also proves that with the right formula of economic blowup, misery and humiliation, sparked by charismatic evil, no people are immune to such horror, at no time. Our Norwegian correspondent The Observer sends his translation of an article and interview with two respectable high-profile Muslim leaders in Oslo, who have strongly negative opinions about Jews and the worldwide Jewish conspiracy.

A new trend seems to have developed in the Islamic community in Norway: It should also be pointed out that this is the same mosque that the Norwegian police apologized so profusely to last year for the fact that we have freedom of speech in Norway. The translated article from Dagsavisen:. Many Norwegians have a negative view on Islam due to Jewish domination of the media. We are visiting Central Jamaat-e Ahl-e Sunnat, the mosque with the largest member base in Norway, to talk to its spiritual leader.

The mosque was founded in and currently has more than 5, members. The Imam begins by explaining that all three heavenly religions, Judaism, Christianity and Islam, are sacred to them. Many people are unaware of this fact, says Sarwar. Both of them believe that the school visits confirms their views that Norwegians in general have an inaccurate impression of Islam and Muslims.

People are ignorant because they get their information from the media, and the media only write negatively about Islam.

Only a handful of people were behind the movie about Mohammed in the U. So who was financing them, who was backing them? A big tip of the Bodissey pickelhaube to our commenter Jolie Rouge, who has provided us with a brand new acronym. Note the aggressor is not named other than by geographical location e.

North Africa, Afghanistan and surprisingly the inclusion of Turkey. I think JIM could have great utility for our enterprise: Who will be the first major Western politician not counting Geert Wilders to break the greatest cultural taboo of our time, and mess around with JIM? Yesterday a group of Al Qaeda terrorists assaulted a natural gas plant in Algeria and killed two foreigners while taking 41 other hostage.

Today Algerian special forces staged a helicopter raid on the plant, killing a number of the hostages — between six and 34, depending on whose figures you believe — in the process of taking out the terrorists. Among the foreign hostages were American, British, French, and Japanese nationals. In other news, Germany has begun repatriating its foreign gold reserves, which are stored in vaults in Paris, London, and the United States.

The following article tells a brief tale about immigrant-on-immigrant violence in Cologne, with Muslims of immigrant background dealing it out and Russian immigrants as victims. It shows the attempts by a Turk to protect a Russian family and being killed for his trouble. Once you learn the basics in these tricks, you're going to love SQL even more. He is fascinated by the interaction of Java and SQL. Migration von Oracle ist ein heisses Thema. The presentation features a lightweight high availability HA setup for postgres 9.

This solution comprises a master, hot stand-by nodes as well as a decent backup. To start with, essentials about postgres built-in streaming replication and write-ahead logs WAL are provided. Concepts as log sequence numbers LSN and timelines are briefly explained. After illustrating a possible deployment, all tools, their configuration, possibilities and limitations are explained in more detail. The main focus lies on the repmgr daemon. It monitors the cluster and will trigger the election of a new master if necessary.

However, all other steps for a fail-over have to be provided in custom scripts. The possibilities and interactions with the repmgr daemon are non-obvious and will be presented enriched with hints and caveats encountered in an actual production environment. Pgbouncer fulfills the role of a database proxy which can hide the database fail-overs conveniently from the application.

The barman tool introduces backup solutions which enable all sorts of point-in-time recovery PITR. It allows parallel backups as well as de-duplication using rsync. Some pitfalls are highlighted and some configuration and recovery examples will be shown. This 40 minutes high-level introduction will leave space for questions and discussions at the end. Little to no knowledge about the tools or even postgres itself will be assumed. Nevertheless, it will contain helpful pointers and hopefully valuable experiences for the more advanced audience.

While not dedicated to database administration, it is nevertheless part of my duties. I learned a lot about postgres and it community on swiss pgday and wish to give something back. Es entwickelte sich ein Ecosystem von Nutzanwendungen zu diesem Feature: So you finally have your database model for your application and you fill it in with current data.

How do you keep it up to date? Cloning the whole huge content for each minor update is not an option. For rich and complex data about hundreds of thousands of power generators in Germany and worldwide, I built a model using range data types in recent PostgreSQL which allows me to insert, update and delete data while granting the full access to the whole state of the database at any historical moment.

I'll present a very simplified version of the database so the audience will be immediately able to apply it for their cases.

I'll also show a few tricks in Python and Psycopg2 that will allow a whole team to prepare, review, and deploy all revisions to this database without merge conflicts. And I'll give a few ideas on how to retrieve this data efficiently. Using Python to make the sun shine and the wind blow. Imports psycopg2 or asyncpg and prefers psql cli.

Weltweit sollen sich bereits Picking a specific database technology is not done overnight. It is not a decision that is taken lightly. You will most probably select a database technology for a long time, as the dogma of database agnostic has proven not to exist. Switching database technology is even more challenging.

To even consider switching the workhorse under you prized, mission critical applications, the switch would have to bring serious advantages.

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